Thursday, 9 December 2010

analasys of jarhead intro

Jarhead opening sequence

The opening sequence to jarhead starts with a black screen and the main character (scoff) narrating. He starts speaking and the narrative is quite daunting in the way he speaks. He speaks in a way that you would expect a man who has been haunted by war to speak. He starts by saying “a story- a man fires a rifle for many years...he goes to war... afterwards he turns the rifle in at the armoury and assumes he is finished with it. But no matter what else he does with his hands...love a woman...build a house...change his sons diaper...his hands will always remember the rifle.’’ This quote has connotations that the narrator is the person he is speaking about. Also the monotone voice he speaks in gives connotations of a man who is speaking from experience and telling the story solemnly because it has affected him. The fact that it is spoken with no image also makes the viewer extremely involved with the narrative and actually listens to it. The scene then cuts to a drill hall and has a mid shot of the main character. A man begins shouting loudly but the camera stays on swoff who stares directly at it only glancing away for a second, breaking one of the cardinal rules of film. However the shot works extremely well and draws the viewer in then in simple writing the title of the film appears in a relatively small font at the bottom of the screen. This is not typical of the average film in this genre where bold titles flash up and attack the viewer this is softer and in my view far more effective. The camera then cuts to a pristine white hall with a group of soldiers in perfect lines setting up the basis that it is an army film and the soldiers have already begun training. This is also something that isn’t typical of the genre as war films will usually give the main character a back story and reason to enlist. The man shouting is saying that race is no longer relevant people aren’t white black brown etc they are green. Giving connotations of ownership of these men by the army. The camera then cuts to a two shot of the staff sergeant and swoff where the staff sergeant fist commends his father for fighting in Vietnam then says its ‘’too f@*#ing bad’’ that he didn’t die. This is a scene that is showing he is being bullied into submission by the army and that people’s lives don’t matter. Then the staff sergeant is deliberately trying to make him buckle by calling him gay and asking him if he loves him. When swoff replies no he shouts at him for not saying he is beautiful. This scene shows further that the man is bullying him by putting him in a catch 22 situation. The scene then cuts a little in the future where he has drawn on a chalkboard a layout of a footlocker. The staff sergeant then goes on to say it is a scrappy drawing and starts shouting then he puts him on his knees and starts slapping him hard in the back of the head and asking questions. When swoff says he can’t concentrate when being slapped he shouts in his face again with the truth of ‘’ how do you expect to fire a rifle with live grenades going off in your face’’ he then says why are you here. Then swoff shouts back I got lost on my way to collage. This gives a good character setting as it shows that he is obedient and almost subservient up to a certain point when he will crack. The staff sergeant then smashes his face off the chalkboard and the shot freezes. It then goes back to the narration and he says when I met staff sergeant mayors I realised I had made a poor decision to join the Marine Corps. This opening 2 minutes sets up the rest of the film perfectly as it shows the setting of it the mood of it and the fact that the main character already hates it.

intro to apocalypse now analasys

Apocalypse now opening

Apocalypse now (1972) is one of the classic war films and the opening sequence is both striking and amazing. The simplicity of it is perfect for the kind of opening I want for my film. It consists simply of a 30 second shot of a tree line that looks tropical and therefore in a way tells the viewer the location of the film. It is accompanied by the song ‘the end by the doors’ it has a slow beginning and takes a while for the lyrics. Then in relatively slow motion a helicopter flies past and when the lyrics kick in the whole tree line explodes with napalm. This is a minute long establishing shot that is extremely effective and during the whole shot the camera doesn’t move an inch. This is a trade mark move of Francis Copella the director who also used this technique to a greater effect in the godfather. The shot is very subversive of the war film genre as the first minute of a war film is typically either action packed or a back-story to a character, not an establishing shot. The scene then cuts to a man gazing through some blinds but the music continues. However the music changes to being diagetic. It continues but gets quieter and the man says ‘’ Saigon...still in f@*#ing Saigon’’ this gives instant connotations of boredom and that character doesn’t want to be there. However later on in the scene when men arrive with his mission dossier e is extremely reluctant to leave. This along with the rest of the opening sequence gives connotations of insanity. The rest of the scene is the psychedelic music in the background with him going insane with boredom drinking allot and injuring himself. However perhaps the most daunting part of the scene is when the G.I’s come to collect him and he is lying in a pool of his own blood and faeces they simply say. ‘’ we got another sleeper’’ and then drag him in the shower as if this is a regular occurrence. While the sergeant is acting crazy in his room he decides to punch a mirror in his room opening his hand wide but doesn’t seem remotely phased. This gives both connotations of the desensitisation of soldiers in the Vietnamese war and the violence and destruction that is instilled through the film. The scene then cuts to him entering a general’s trailer and being questions on a previous mission. This is where you find out that he is an assassin. The room is dark and filled with smoke giving connotations of an improper event occurring. However the shot then moves to the general eating a full course meal and the saying that it isn’t good enough when he says’’ if you can brave eating the shrimp you are more of a man than me’’ this shows ignorance within the higher ranks and how they are being treat well and getting full 3 course meals while the soldiers are going insane in their small cramped little rooms.

analasys of the intro to hurt locker

Hurt locker intro.

The introduction to hurt locker is again a very technically simple but is still very effective and draws the viewer in perfectly. However hurt locker does this especially well as the beginning three minutes already brings you to the edge of your seat. This build of the suspense so quickly is not usually used well and often backfires. However in the hurtlocker it is used to perfection. Not only does it draw the viewer in and set them up perfectly for more it introduces the characters in a setting that portrays them as human. They show fear and imperfection unlike the typical film in this genre. For example tom hanks are portrayed as a dashing hero who saves the lives of many men and is the perfect soldier. Whereas hurt locker portrays them as normal men who happen to be in the army. For example when the sergeant calls one of the soldiers he has to repeat himself because the soldier is scared. This is subversive of the typical war film and I would like to use this technique in my final piece. I like the way that even when the film is introduced it is silent and goes almost unnoticed so not to break the tension. The film starts however on a different note it has a black screen and a quote saying ‘’the rush of battle is often a potent and lethal addiction. As war is a drug.’’ This is very heavy as a first line and instantly along with the silence brings people to attention. The line gives connotations that war drives people insane and therefore that one of the characters will be just that. The words then fade away accept for the last line. ‘’war is a drug’’ remains in the same place on a black background this makes it stick with the viewer longer and makes it a memorable quote that people will talk about later. The fact that the films’ first shot is on a low quality camera tells the viewer that the film will be gritty and full of kitchen sink realism. However this is cut to a HD camera quite quickly in my opinion the shot should have been longer. I love this technique for my film, the fact that it is shot on a low quality camera but still effective. I want to use the techniques to make mine look like the use of a low quality camera is a conscious choice. The use of sound in the intro is quite subversive as there is no music whatsoever. This mirrors jarhead in a sense however this one has a much busier situation with people shouting and panicking.

Thursday, 1 April 2010

nearly finished all my work finally got the rest of my editing done last night and had to do all the shooting the day before with james and mr earl got the editing done quickly thouh on the pus side. i would rarther have left the conversation out due to artistic merit but i know i need it for marks

Friday, 5 February 2010

got my footage back

problems

didnt save my work properly now have to restart all of my capturing/editing
i got most of my footage filmed in the woods in bearpark on sunday morning however the remeinder of my footage needs snow which has now unfortunately melted